Crazy as a single is deserving of its heavy rotation if not the endless parde of covers it has inspired (Nelly Furtado, Twilight Singers, Ray LaMontagne, The Kooks...), but the duo's own cover of The Violent Femmes Gone Daddy Gone is insultingly awful. The earnest crooning and crisp studio beats that serve Elsewhere elsewhere only strip the jangling original of its angst, perversion and breathless, urgent appeal – the best things it has going for it.
REVIEW: Gnarls Barkley "St. Elsewhere"
Crazy as a single is deserving of its heavy rotation if not the endless parde of covers it has inspired (Nelly Furtado, Twilight Singers, Ray LaMontagne, The Kooks...), but the duo's own cover of The Violent Femmes Gone Daddy Gone is insultingly awful. The earnest crooning and crisp studio beats that serve Elsewhere elsewhere only strip the jangling original of its angst, perversion and breathless, urgent appeal – the best things it has going for it.
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